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Wednesday, 6 October 2010
One of the personal highlights from our recent screening at Liberty University was the opportunity to hang out with my good friend Richard Williams Jr. Richard and his lovely wife joined our party on Saturday for a tour of the Civil War Chaplains Museum, a dynamite dinner at Doc’s Diner, and the event itself where he gave the invocation. They also accompanied us to services at Thomas Road Baptist Church on Sunday. I wish we had more time to chat, but both of our schedules were as usual, quite busy. A board member at the CWCM, Richard gave an excellent impromptu presentation during our museum tour on the contributions of African-American clergy during the war.
The Williams also stayed with us at the Carter Glass Mansion where Richard pointed out something of particular historical significance that is often overlooked. The fireplace mantle in this photograph of us was originally located in the Nation’s second Capitol after the first was burned by the British in the War of 1812. Two of these marble mantles were acquired by Senator Glass in 1923. When Liberty University assumed control of the premises in 1977, the previous owners retained the mantles. Recently, one of these gems was returned to the mansion and installed in the dining room.
The entire Carter Glass home is decorated with a distinctive Colonial motif, which was a particular favorite subject of the late Dr. Falwell. Several of the room names echo this theme and include “The Washington,” “The Jefferson” and “The Williamsburg.” Many paintings and books on the Founders adorn every table and bookshelf and the furniture is all colonial antique. On my next stay I promise to shoot some casual video of the house and do a “Carter Glass Cribs” tour.
On a related note: Yesterday I was informed that the award-winning Free Lance-Star Town & County (of which I contributed many pieces to) is being discontinued due to budget cuts and that my favorite editor Gwen Woolf is retiring as a result. Five years ago, Gwen and the T&C gave me my first opportunity to write articles about the Civil War when all I had published to date was baseball material. Today, they are no more. As a contributor, I find this news to be disappointing. As a Fredericksburg resident and reader, I find it to be devastating. Richard Williams and I were first introduced to one another when I reviewed his book Stonewall Jackson “The Black Man’s Friend.”
Here are links to all of the articles I penned for the T&C from 2005-2010:
Stonewall's Steed, Little Sorrel
Living The Cause: Lee's Lieutenants
Mort Künstler: An American Master
Mort Künstler Unveils Local Print
Human Decency During War
John Adams Elder: Fredericksburg's Civil War Artist
What Black History Month Means to Me
Honoring a Medal of Honor Winner
Angel of the Battlefield
Lost Triumph: Lee's Real Plan at Gettysburg and Why It Failed
U.S. Grant: The Making of a General, 1861-1863
To Make Men Free: A Novel of the Battle of Antietam
What Caused the Civil War? Reflections on the South and Southern History
Old Alleghany: The Life and Wars of General Ed Johnson
Four Years in the Stonewall Brigade
Lincoln In Stafford
Shock Troops of the Confederacy: Sharpshooter Battalions of the ANV
No Greater Courage: A Novel of the Battle of Fredericksburg
Plenty Of Blame To Go Around: Stuart's Ride To Gettysburg
Stonewall Jackson "The Black Man's Friend"
Rush's Lancers: The Sixth Pennsylvania Cavalry in the Civil War
Stealing The General: The Great Locomotive Chase and the First Medal of Honor
Still Standing: The Stonewall Jackson Story
No Soap, No Pay, Diarrhea, Dysentery & Desertion
Andersonville To Tahiti: The Dorence Atwater Story
Sinners, Saints, Soldiers in Civil War Stafford
The Last Days of Stonewall Jackson
Posted by ny5/pinstripepress
at 11:46 AM EDT
Updated: Wednesday, 6 October 2010 10:32 PM EDT
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Tuesday, 5 October 2010
As the personal copywriter for Civil War painter Mort Kunstler, I have a great interest in historical artwork. My favorite artist, (minus Mort of course) is John Trumbull whose paintings represent some of the most popular and recognizable images from the American Revolution. Trumbull was the gifted son of the Governor of Connecticut and a graduate of Harvard University at the age of 17. As a youngster, he showed a tremendous aptitude for drawing and it is said that his attention to detail was a result of an accident that resulted in the blinding of one eye. As a young man, Trumbull assembled an impressive resume which included positions as a second personal aide to General George Washington and a deputy adjutant-general to Gen. Horatio Gates.
In 1780, he traveled to London to study painting under the master Benjamin West. Five years later, Trumbull traveled to Paris where he began doing commissioned portraits for Alexander Hamilton, Thomas Jefferson and Congress. Eventually Trumbull rose to become one of the most renowned artists of the time and in 1816, he was appointed president of the American Academy of the Fine Arts. No other artist of that era so vividly captured the epic imagery that defined our nation as Trumbull did. To this day, I still notice subtle nuances in his work and I am entertaining the idea of penning a feature on his life for a future issue of Patriots of the American Revolution.
Below are some of his most famous paintings:
The Death of General Warren at the Battle of Bunker Hill (1786)
The Death of Montgomery in the Attack on Quebec (1787)
The Declaration of Independence (1795)
The Death of General Mercer at the Battle of Princeton (circa 1795)
Surrender of General Burgoyne (1821)
Surrender of Lord Cornwallis (1820)
General George Washington Resigning his Commission
The Sortie from Gibraltar (1789)
Sunday, 3 October 2010
Libertys Kids for kids
It seems that this month’s hot-button-topic across the blogosphere is the argument over teaching good and bad history to children. I have refrained from participating in any of these debates, but wholeheartedly agree that the topic deserves our attention. Education has been a primary topic of interest at our film screenings, and as a parent of four children, teaching history to youngsters is of particular interest to me. From what I see in our schools, I’m not that impressed with the manner being used to ignite an interest in our past with young people. I’ve always said that our Nation’s history is among our most precious resources, but it means nothing if we can’t relate to it and apply the lessons learned in our daily lives.
One challenge that remains in the classroom regardless of time and place is how to get kids excited about history. This obstacle is especially difficult when it comes to young children. How do we begin to capture their attention long enough to introduce them to the subject? My youngest kids have accompanied me on trips to Monticello and it was a chore to get them to recall any of the experience. On a recent Sunday morning before church, I discovered a tremendous cartoon called Liberty’s Kids. After watching a couple episodes I believe that I have found a perfect fit for introducing my youngest children to the founding of our nation. According to their website:
The primary goal of the Liberty’s Kids TV series is to provide young children with a fresh and exciting experience of the extraordinary period of 1773 to 1789 in American history. Through the eyes of two young apprentice reporters named Sarah and James, viewers of Liberty’s Kids will go on adventures in search of the real stories of the American Revolution. Although the setting is Colonial America, Liberty’s Kids’ characters find themselves in the middle of a revolution that confronts issues that still fill the newspapers today - gun control, downsizing government, lower taxes, freedom of the press, and race relations. The entire show is produced using high quality animation and creates an exciting world that today’s kids can jump into and discover the real stories of the incredible time that gave birth to the United States of America. Liberty’s Kids offers caretakers, from parents to teachers, an extraordinary resource through which they can share with young people the inspiring stories, characters, and values at the heart of America’s great experiment in democracy.
I am extremely pleased with this show, both as a historian and as a parent. I highly recommend their website which includes lesson plan material for parents and teachers, as well as full episodes and fun activities. My kids may not remember the master of Monticello, but they know this Thomas Jefferson (pictured here). It is my hope that Liberty’s Kids will be used to provide my children with an effective introduction to history that will hopefully mature as they do.
Artwork copyright 2004, DIC Entertainment.
Tuesday, 28 September 2010
The ugly truth
Today I finished my speech for the upcoming screening at the Stafford County Historical Society on October 21st. I was originally invited to give a presentation on Mary Ball Washington, but after several members attended our premiere in Fredericksburg, a showing of the film took precedent. Following the documentary, I will be adding remarks that tie Kirkland’s actions in with Stafford County’s experiences. In order to do that I am “adding on” the rest of the story, which is the Union army’s evacuation of their wounded and retreat across the river.
This approach takes the film’s commentary on the human tragedy of the battle and transports the suffering, off of the Fredericksburg battlefield, over into Stafford County. I also talk about the public outrage to the mass casualties and Lincoln’s reaction to it. The more I watch this film with audiences, the more I realize that we made an anti-war film. I am very pleased that our initial goal of not glorifying the Civil War came through. There is a way to pay tribute to the action of courageous men, without romanticizing the horror that they inflicted on one another.
Even the music in our film depicts the brutality of the story. The theme song to The Angel of Marye’s Heights is titled “Fredericksburg 1862” and was written and performed by Will White. A tremendous songwriter and musician, Will generously allowed us to use his music and even donated copies of his latest CD “Rise Above” for us to play and sell at our events. He is a Virginia native who now lives in Calgary, Alberta, Canada. Will’s family’s roots span the breadth of the South, and his songs reflect that heritage: bluegrass, Appalachian old-time, Delta blues, country and gospel, sung and played on 5-string banjo, acoustic and National steel slide guitars.
Will’s lyrics capture the essence of the film. Here’s the first verse:
They might have crossed the Rubicon and charged the gates of Hell
No mortal man could cross that land the Rebels raked so well
The soil was sown with flesh and bone and watered down with blood
As drops of rain they fell to stain that field of frozen mud, that field of frozen mud
You can literally ‘see’ the battlefield as depicted in his words. (Watch Will’s video under the Media tab in the Music section over on The Angel of Marye's Heights website. And visit his website at http://www.willwhitemusic.com/).
I am anxious to see if this approach is well received as far too many speakers nowadays tend to gloss over the ferocity of war. If I do this right, the audience will leave with a better sense of what Kirkland and his fallen foes experienced after the battle ended. That being death, destruction, and devastation.
Posted by ny5/pinstripepress
at 11:21 AM EDT
Updated: Wednesday, 29 September 2010 9:45 AM EDT
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Sunday, 26 September 2010
What a weekend
Saturday’s screening at the University of Mary Washington could not have gone better. This weekend was the college’s annual “Family Weekend” when parents and students are treated to a variety of special events celebrating the school’s culture and surrounding history.
Our invitation came courtesy of Abbie McGhee, Coordinator of Community Events and Ceremonies. The screening was held at the newly refurbished Lee Hall in one of the school’s state-of-the-art media rooms. The campus staff and student attendants that assisted us were outstanding and the audience was very receptive to our presentation. I was joined by cast members Megan Hicks, John Cummings, and later, Don Pfanz. The audience had some excellent questions for John and me during the casual Q&A.
During the film’s introduction, I gave the audience some background on our past speeches and panel discussions. I recalled our previous weekend at Liberty University where we had held a forum discussing the preservation and education of history. I then informed the audience that we would be doing nothing of the like for them. The reason I added, was the unique opportunity that this particular group had. That opportunity was an exclusive invite to tour the nearby historical landmark Brompton. This magnificent estate sits atop Marye’s Heights and bore witness to the Battle of Fredericksburg. The story of Richard Kirkland literally took place in the shadow of this manor, so the tour fit perfectly with our story.
Completely preserved, Brompton is the residence of the acting president of the university and is not open to the public. In over 10 years of giving tours at the sunken road, I knew of only two people who had ever been inside the mansion. As this was “Family Weekend,” the newly appointed (and tremendously popular) UMW President Richard V. Hurley, graciously opened his home to visitors. Following the screening we headed over to Brompton and were given free reign to walk the house and grounds. During the tour, members of the staff took us out back to meet the president and his wife along with the college’s chief of staff Martin A. Wilder Jr. Apparently they had heard some great reviews of the film and after discussing the origins of the project, President Hurley proposed the idea of holding a private screening. Of course I jumped at the opportunity and told the president that we would be honored to oblige him.
The biggest satisfaction of the weekend came in the private discussions that I had with parents and students who shared a great love of history. Several of them had specifically chosen UMW, due to it’s close proximity to historical sites and hallowed grounds. All of them expressed their gratitude for our film and are anxiously awaiting the release of our DVD.
Below: A rare view of the Kirkland Monument (in yellow highlight) from the front porch of Brompton.
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