Reporter Dan Telvok posted a reaction to my last post on his blog. I would like to address that by saying that I am collectively commenting on BOTH articles that were written by Dan (and are linked below). The first article that generated the critical comments on the FLS site was the primary one that caught my attention. I in no way meant to say that Dan’s reporting was inaccurate. I was merely trying to say that Terry's comments at the time were in regards to his own economic situation and did not reflect the foundation’s feelings. He was obviously angry in the first interview and it was reflected in the piece. The second article was an addition to that and I included it in my post as it has also generated some comments on other blogs.

I stand by my statements that the National Civil War Life Foundation is still interested in our original mission and Spotsylvania as a location. I apologize if my post came off as being critical of Dan or the Free Lance-Star. He wrote what he was told. What he was told however, was stated out of frustration by an individual who regrets saying it.

I have a longstanding relationship with the Fredericksburg newspaper and nothing but respect for the FLS's staff. The ‘assumptions’ that I am alluding to in my post are taken from the tone of the comments and Mr. Thomann’s emotions at the time, not by the pen of Mr. Telvok. My apologies if this was implied in my post below. My goal is simply to reinforce the notion that the NCWLF’s mission carries on. If I offended Mr. Telvok in the process I apologize.

ADDED: Dan and I have chatted, all is well, and he is planning on doing a follow-up article w/ me after our Dec. 13 board meeting. Stay tuned.

I would like to take a moment to address an issue that has come to my knowledge today. Several bloggers have commented (here and here) on a couple articles that recently appeared in The Free Lance-Star in regards to the closing and relocation of the Civil War Life Soldier’s Museum here in Spotsylvania. As I am available to speak officially for the National Civil War Life Foundation, I will use my blog to comment.

Although these bloggers are thoughtfully commenting on what they have read online, there is some unintentional misinformation being shared that requires clarity. (I emailed some update info to Kevin Levin, who thankfully brought the blog discussions to my attention, but he has not commented on it yet.) The two FLS articles quoted are located here and here. They may present the notion that the museum and related foundation are severing all ties to Spotsylvania County and moving on to other things. This is incorrect, although there is partial truths in these "changes." Here are the facts:

Yes, Terry Thomann has indeed closed the original Civil War Life Soldier’s Museum in Massaponax and moved his entire gift shop (and a portion of the museums’ collection and attractions) to Old Town Fredericksburg in what used to be the Fredericksburg Historical Prints store. This move took place simply as an economic necessity as the old location was not generating the anticipated business. As the economy continues to suffer, so do historically-themed establishments that rely on tourism. The NCWLF’s Spotsylvania museum venture and Mr. Thomann’s gift shop are two different entities (although they are intertwined as the existing artifact collection belongs to the proprietor of both.)

In order to stay in business, a move was an absolute and when the downtown location became available, Mr. Thomann took it. In retrospect, Terry admits venting some of his frustrations to the first article's reporter and regretfully they made it into the story. The writer was simply quoting what he thought were decisions that had already been made. They were not and Terry has met with individuals from the county and the situation is being discussed en route to being resolved. There is a NCWLF board meeting coming up in a few weeks and I will be sure to update both the media and readers here of new information as it becomes available.

The bottom line is this: The National Civil War Life Foundation is still on the same mission, to build an all-inclusive museum that tells the entire story of the Civil War from all sides. We are still looking at Spotsylvania as a location. We are planning on holding some special events at the new store location to generate additional interest in this project. We are still sponsoring the documentary film on Richard Kirkland that is slated for release in February 2010. We are in talks with Mort Kunstler’s rep about having an exclusive gallery section at both the existing and future locations. We will be updating the website soon to reflect these minor changes that do not affect our mission. And we want to assure all of our supporters that our prime directive remains:

To operate a national museum and research center that preserves and interprets the human story of the American Civil War and connects the lives of all people of that era to the Nation today.

Like many of our area's business owners, Mr. Thomann is doing whatever he has to in order to financially take care of his family. Costs were stacking up and the visitations were dropping. This relocation from a secluded strip-mall in Spotsylvania to Fredericksburg’s main street will hopefully help him fulfill his needs. Our job as a foundation is to stay focused on opening a new museum and we will continue to work hard to accomplish our goal. Once again, this article (and this move) has no bearing on the NCWLF's intent or vision. It simply means that a new gift shop is now open in downtown Fredericksburg with one of the largest inventories in the area. This shop also offers CW artifacts and exhibits, a working tin-type photo studio, and a Civil War in 3D photography show. 

Hopefully that can set the record straight for now and the responsive bloggers will caveat their posts. They weren't wrong, they were simply commenting on articles that echoed the emotions of a man who is trying to gain some sense of financial security and provide a service to the community. Any additional questions can be sent to me directly and I will be more than happy to comment (if I can).

Thank you.
Michael Aubrecht
Vice-Chairman, NCWLF

ADDED: Of course I wouldn’t suspect anything less from Mr. Levin who I cordially emailed twice today in an effort to prevent him from spreading misinformation. Beyond apologizing for a recent post that I directed at him then removed, I also tried to explain what was going on as I am an insider. He was kind enough to post this:

Update: This morning I received additional information from a member of the museum’s Board of Directors. For a number of reasons I am not going to include that information since it is so confusing that I can’t make heads or tails of it. One wonders whether this individual even knew about the closing before this morning. I am more than happy to provide a link to an official statement on the museum’s website. It is curious that a statement wasn’t posted before this recent decision was made.

What a class act... YES Kevin, I knew. Once again, you have proven that you are a jerk and I wish you nothing but the best. The very fact that you refuse to reply to my communications or acknowledge or inform your readers of my post-explanation reveals that your own personal dislike of me supersedes any integrity on your blog.

A few years ago I had the pleasure of sharing space at a book signing event with some very generous folks from Ertel Publishing. As a result, I was commissioned to write a couple features for one of their most popular publications, Civil War Historian magazine. Over the next year I penned a lengthy article on baseball during the Civil War that received a lot of acclaim, as well as an intentionally controversial piece in which I ranked the top ten Confederate generals. One of the relationships that blossomed from this commission was a friendship with the editor Benjamin Smith. Ironically, just as my studies have moved further back in our nation’s history, so has Ben’s publishing efforts. Both of us share new interests in the lives and legacies of our Founding Fathers and the revolution that they inspired.

Although I will still continue to support my existing Civil War-era efforts, new projects will likely involve the colonial period. My recent work with The Thomas Jefferson Project for instance has been well-received. A couple weeks ago I accepted an invitation to contribute a feature-length study to Ben’s newest pub-affiliation Patriots of the American Revolution. As a result, I have enthusiastically decided to submit a more detailed and formal study of my look at how slavery is being interpreted at the new Monticello Visitors Center. I also asked Ben if he would be interested in doing a short interview to introduce my readers to what has quickly become one of the most original and informative historical magazines out there. He graciously accepted and our conversation is as follows:

[NOTE: Patriots of the American Revolution is a bi-monthly, full-color, 60-page publication. It is owned by Three Patriots, LLC, and published by Ertel Publishing. Tim Jacobs is its Editor and previous owner; Ben the Associate Editor]

Q: For how long has Patriots of the American Revolution been published? How and why did it begin?

A: The magazine’s editor, Tim Jacobs, started publishing the magazine in 2008. The concept for the publication began out of Tim’s desire to honor his ancestor, Ezekiel Jacobs, who served in the in the Connecticut Militia during the American Revolution. After learning and researching much of Ezekiel’s life and time in the war, Tim wrote an article about him--but couldn’t find a publication to submit the piece. And that was the genesis of Patriots of the American Revolution. Tim wanted to create a venue for people in which they could honor their Patriot ancestors. Today, the magazine still features profiles about people’s Patriot ancestors, but it has grown to include interesting articles about the leaders and battles of the Revolution, as well as research on early American culture.

Q: Explain this growth a little more. For example, how did you get involved?

A: This is where the story about the magazine gets interesting. I’ve been working for Ertel Publishing--a magazine publisher located in Yellow Springs, Ohio—since early 2007. We design and publish several magazines, most of which are somewhat historical in nature. Some of the magazines are owned by Ertel Publishing; some of the magazines are owned by people who hire us to do the design work and assist with editing and marketing.  In June of 2008, I came across the magazine’s original website, and thought it might be the perfect sort of magazine for us to design. I called Tim and we hit it off; he and I have a lot in common. So Ertel Publishing started to design Patriots of the American Revolution, and provided Tim with some very basic marketing/PR assistance. The magazine started to grow, but not at the rate that Tim needed it grow by; it’s expensive publishing your own magazine. So in the summer of 2009, three of us here at Ertel Publishing—myself; our General Manager, Vicki McClellan; and our President, Patrick Ertel—formed a company called Three Patriots, LLC and bought the magazine from Tim. However, we kept Tim on as the Editor, and hired Ertel Publishing to continue designing the magazine. That’s when I became Associate Editor.

Q: Has the look or direction of the magazine changed since Three Patriots, LLC purchased it?

A: It has, and quite a bit. The page number has grown from 34 pages to 60 pages, and the magazine is now a bi-monthly publication; it used to be a quarterly. Also, we have added new departments, such as “Culture, Art, & Conflict” and “Allies & Enemies.”

Q: What are some of the other departments that readers can find in each issue?

A: One of our most popular departments is “Notable Bloodlines,” which is written by Tim Jacobs. He traces the family history of a celebrity—such as Ernest Hemingway, or Muhammad Ali—back to the American Revolution, and illuminates the lives and achievements of the celebrity’s Patriot ancestors. We also have a department called “The American Revolution Today,” which focuses on current preservation efforts and historic sites pertaining to the Revolution. Personally, my favorite department is “The American Revolution Month-by-Month.”

Q: What kind of featured articles do you publish?

A: All kinds. Just to give you an idea, I’ll list some of the topics that have appeared in the past two issues: the Battle of Saratoga; the myth of the Jersey Devil; Molly Pitcher; Washington Irving; the Massacre of Cherry Valley; the Turtle submarine; Thomas Paine; and British newspaper coverage of the Battle of Trenton.

Q: What issue are you currently working on?

A: The January/February 2010 issue, which will actually print and ship in the middle of this December.

Q: Can you give readers a sneak peek into what they can expect to see in the upcoming issue?

A: Sure! We have a wonderful article about Betty Zane, a 16-year-old girl who helped Patriots win a battle against British and American Indian soldiers in present-day West Virginia.   We also have an article on the so-called Forage War, which occurred in New Jersey during the winter of 1777. Finally, our department called “Culture, Art, & Conflict” focuses on how Loyalists were treated by Patriots during the war. For more information, you’ll just have to check out our website on a regular basis: www.patriotsar.com.

Q: How much is a subscription?

A: The cost is $29.95 for six issues, per year.

Q: Who would you recommend a subscription to?

A: To anyone who likes to read about early American history. We actually cover events from the French and Indian War, through the Revolution, to the War of 1812; all three of those events are connected. Also, I would recommend a subscription to anyone who enjoys the simple art of reading a magazine. I mean, I love blogs. I write a blog for Ertel Publishing, and Tim writes a blog for the magazine. Blogs are incredibly useful and vital. But at the end of a long day, I like to sit at home, put up my feet, and unwind with a magazine. Patriots of the American Revolution is the kind of magazine I would like to decompress with. It’s interesting, educational, well-written, and uses a lot of fine art; it looks nice. Its easy on the eyes. Of course, I am biased!

For more information about Patriots of the American Revolution, please visit www.patriotsar.com.

Here's the official copy I penned for the latest release from Mort Künstler: Ordering information

Following the Confederate Congress's Partisan Ranger Act of 1862, Major General J.E.B. Stuart appointed one of his most gifted scouts, First Lieutenant John Singleton Mosby, to lead the 43rd Battalion Virginia Cavalry. "Mosby's Rangers," as they would be called, were formed that following January as the winter of 1863 blanketed the Virginia countryside.

On the 18th of that month, while en route from Fredericksburg to Upper Fauquier, Mosby and fifteen men detached from the 1st Virginia Cavalry stopped off in the town of Warrenton to dine at the renowned Warren-Green Hotel. In November of 1862, Union General George B. McClellan had bid his troops farewell on the steps of this tavern after being relieved of his command by President Abraham Lincoln. This evening however, the Warren-Green witnessed the birth of a new command whose reputation would grow to epic proportions.

This unique group represented twelve native Virginians and three Marylanders who had been handpicked by Mosby himself. They formed the original nucleus of "Mosby's Rangers," and together they would provide intelligence for the Army of Northern Virginia, while also causing disruptions along the Union army supply lines. Their unique ability to evade Federal pursuers earned their commander the nickname of "The Gray Ghost," as he and his troops appeared to vanish whenever they ventured into harm's way.

Mosby himself recalled their unique mission when he wrote, "My purpose was to weaken the armies invading Virginia, by harassing their rear... to destroy supply trains, to break up the means of conveying intelligence, and thus isolating an army from its base, as well as its different corps from each other, to confuse their plans by capturing their dispatches, are the objects of partisan war. It is just as legitimate to fight an enemy in the rear as in the front. The only difference is in the danger."

After the South's surrender at Appomattox Courthouse in 1865, Mosby begrudgingly disbanded his rangers, vowing to never surrender formally. He later returned to the town of Warrenton to conduct his law practice and often dined at the Warren-Green Hotel.

Mort Künstler's Comments:

It has been ten years since I last painted the beautiful Warrenton County Courthouse featured in "The Bravest of the Brave." In addition, it has been twelve years since I last painted John Singleton Mosby in "While the Enemy Rests." That is much too long, in my opinion.

I felt it would be wonderful if I could combine both subjects in one painting. Placing Mosby in Warrenton was easy because he operated often out of that area. But there were still a number of obstacles. I wanted to capture a significant moment in his storied career and I also wanted a snow scene. I learned that his first independent command was formed in Warrenton and his original fifteen men stopped off at the Warren-Green Hotel for dinner on January 18, 1863.

By moving my viewpoint around to what is now the Alexandria Pike, I realized that I would not only get a very different angle of the Courthouse from the previous painting, but I could also get the Warren-Green Hotel in the background. I quickly called my good friend and colleague, Dr. James I. Robertson, Jr. and was delighted to learn that it was indeed a bitterly cold windy day that had turned everything white and icy. This gave me my snow scene.

With this newfound knowledge I imagined the difficulties of getting up the hill on the Alexandria Pike, facing the front of the Courthouse. Although they plowed the roads with horse drawn equipment, wagons and carts would have been rendered immobile and abandoned. The trees around the Courthouse today almost obliterate the building from view on Alexandria Pike, so painting the structure accurately was very challenging. Historian Richard Deardoff of Warrenton was of great assistance with research for this painting.

As the men rode up the hill on Court Street alongside the Courthouse, none of them could have imagined the unparalleled success and fame that would subsequently come to the young lieutenant. Mosby himself could not have foreseen the reputation he would gain.

I feel a great sense of satisfaction from this painting, as I was able to combine all of the desired elements into a single image. This includes placing "The Gray Ghost" and his men in front of the Warrenton County Courthouse, on a significant date in their formation, in the beautiful Virginia snow.

This year the paper prints feature the Mosby Heritage Area Association's* seal, which is sure to make it a highly collectible print. *The MAHA's mission is to promote the preservation of the historic, cultural and scenic resources of the Mosby Heritage Area.