"A Quick One"
I am going to post something this morning not remotely related to the Civil War, baseball, or even American history… Over the years, several of our blogging-brethren have shared their favorite musical tastes and concert experiences from Eric getting nostalgic with The Boss and The Police, to Ted igniting his son's interest in history through the wailing of Iron Maiden. I have shared my own hero-worship for Johnny Cash and today I wanted to take a moment to mention the only other musical act that holds my affections like that of the Man in Black. WHO you ask? YES is my answer.
Those of you with VH1 on their cable package are no doubt familiar with the “Rock Honors,” which celebrated The Who last night. In preparation, the music channel has also been showing multiple documentaries on the band, as well as their famous rock-opera “Tommy” every night for the last week and I watched every single one of them (with the exception of All-Star Game night). The star-studded event featured blistering tribute performances by groups like Foo Fighters, Incubus, Pearl Jam, and The Flaming Lips. Even though I didn’t know any of these bands (minus Pearl Jam), the cover versions of Who classics they played were excellent. The finale of course was the two surviving members, bringing the house down and showing the new generation what it meant to be from “My Generation.”
The Who are without a doubt, my favorite, all-time, most beloved, band in the land. I have everything they ever put out in one form or another (albums, cassettes, CDs). Full Moon: The Amazing Rock & Roll Life of Keith Moon Late of the Who by Dougal Butler is still one of my favorite books although I stupidly traded it for a bio on Gen. James Longstreet. In retrospect, I probably know more about the history of this group than I do of any Confederate commander or baseball franchise. There is no work in that genre though.
Even as I sit here I struggle to articulate what the band means to me and the legacy they forged amidst the madness that surrounded them. The Who, by my definition, are what a Jackson Pollack painting would sound like. Someone once referred to their music as a “beautiful mess,” and I have to agree. Formed in 1964, they were the pioneers of punk, and a violent, aggressive form of amphetamine-driven rock and roll that grabbed you by the throat and wouldn’t let go. Personally, I don’t believe that Pete Townshend’s windmill guitar licks, Roger Daltrey’s pipe-organ screams, John Entwistle’s ambidextrous slapping and of course Moonie’s brilliant bashing has been, or could ever be equaled. They are what the term “rock god” was coined for. Watch the film shot of them live at the Isle of White Festival and tell me I’m wrong. To this day, “Young Man’s Blues” is still the greatest drums and guitar exchange ever captured on vinyl.
The Who also invented the concept of smashing your gear and then blowing up whatever instruments survived. Who can forget the scenes from “The Kids Are Alright” with John Entwistle shooting Gold Records like skeet, or Keith Moon’s drum set exploding on the Smothers Brothers Show? The Who made destruction an art form.
How many classic songs did they record? Tons. You forget sometimes the catalog of masterpieces that came out of The Who’s studio. My only question on the band’s music that remains is how come “Who Are You” is the ONLY song in radio history that doesn’t have to bleep out the ‘F-word’ when it plays. That always puzzled me.
Growing up I played the drums obsessively for 8 years in a wide capacity of rock/blues bands, percussion ensembles and drum lines. I studied with people like Jeff Watts who was the original timekeeper for Jay Leno’s Tonight Show band. I performed at the Mellon Jazz Festival, on the field with the University of Pittsburgh, and was co-captain of our drum line in high school. We won 2nd Place in the National Drill Competition in Nashville and were told we were the “blackest-white-line” at the Veterans Day Parade in Pittsburgh. I was supposed to go to school for music, but took the visual communications route instead and put down my sticks forever. After I moved out, I sold my drums which I regret to this day. If you watch any of the videos of me (on VHS tape of course), you would always see a moon hanging on my drum kit in tribute to Keith. I miss my kit, and my moon, immensely.
Moon was the best-worst drummer in the history of rock and roll. With any other band he would most likely have sounded terrible, but with The Who he was Mozart on fire. I worshipped him and in my immature youth, I tried to be like him. The ‘Keith Moon’ and ‘crazy drummer’ references that people wrote in my yearbooks are embarrassing to say the least, and I am about as far from “that Michael” as possible today. Still, I never lost my love of the jester and his music. I got many of his fills down too, but I was never able to play ‘sloppy’ enough to really ‘get him’ down. No one can, and they don’t even try anymore. The man was a brilliant lunatic and he and John are both missed by all Who fans.
Fortunately The Who are still releasing music, still touring, and I just discovered the band’s official website (there wasn’t one forever) and will be adding its link over on my website links page. Anyway, enough nostalgia… I was very happy to see The Who honored last night and I thank them for the countless hours of musical anarchy that still leaves my ears ringing and for the powerful lyrics that still resonate with me today.
In closing I'd like to quote a verse from "The Real Me" that personifies my own personal spiritual journey from being lost to being found:
I ended up with the preacher,
Full of lies and hate,
I seemed to scare him a little
So he showed me to the golden gate.
And here I am.