In addition to writing, I am by trade, an Associate Art Director and Designer. My college education took place at The Art Institute of Pittsburgh where I studied both Art History and modern Visual Communications. Despite being both “brainwashed” and “force-fed” the styles and philosophies of the Renaissance Masters and Abstractionists, I never fully appreciated any of their work. Now don’t get me wrong, these guys could paint (and I did – and still do - enjoy Jackson Pollock’s work immensely), but I wouldn’t hang anything of theirs on MY wall. To me, military artists are the REAL masters. Their meticulous illustration, attention to detail, and historical accuracy means more to me than some “stipple brush-stroke technique”. I don’t want to look at cherubs or old broads or soup cans. I want to see battles - and generals – and flags - and glory! That’s my kinda’ art.
One of today’s most revered Civil War painters is Mort Kunstler and I have been a huge fan of his work for a very long time. To quote his own website, “Considered one of America’s greatest historical artists, Mort Kunstler has become well known for the extraordinary authenticity and drama of his work.” A few years ago, I stood in line for two hours straight at the gallery here in town (Fredericksburg Historical Prints) just to shake his hand and have my Gettysburg and Gods and Generals books autographed. It was quite a thrill for me as he was a gracious guy who made time for everybody.
This year my wife and I discussed the possibility of getting some prints for our dining room wall. Our sitting room (opposite) has three lovely “Kinkade-ish” scenes that she bought and I was hoping to get some “equal representation.” However, just like Pickett’s troops at the Battle of Gettysburg, my mission was doomed right from the start… While browsing a myriad of samples, I experienced a myriad of rejection: This one was too busy – and this one had too many colors – and no more battle scenes – and not one with too many flags in the background – and none that show officers with women other than their wives… etc. etc. etc. Finally, after what seemed like a longer period than it took Sherman to march to the sea, we agreed upon two complimentary prints that were both romantic (for her) - but still cool (for me).
We selected “Until We Meet Again” that depicts Stonewall Jackson bidding his wife farewell in front of his headquarters in Winchester, Va. (Winter 1862) and it’s “sister print” entitled “Wayside Farewell” depicting a Confederate cavalry officer saying good-bye to his wife. The setting is the Valley Pike in front of Larrick's Hotel in Middletown, Va. (Winter 1863). Both are considered among Kunstler’s best (non-battle) pieces and I believe that they really capture the essence and anxiety of leaving your loved ones behind. Ironically, these exact moments are being repeated everyday as our brave men and women say goodbye to their own families before leaving for Iraq. Painting like these help to remind us of the courage and sacrifice one commits in the fulfillment of duty.
Fredericksburg Historical Prints did an amazing matte and framing job and I highly recommend them for all of your print needs. In addition to Mort Kunstler’s work, they also represent other amazing artists such as John Paul Strain, Tom Freeman and more. And for the married fellas' out there, here’s some advice, plan to spend a few days (not hours) looking at these paintings. There’s a lot to choose from – and she’ll be sure to look at each and every one.
BTW: Here are the prints:
